Singing The Blues by Marty Robbins Chords & Tabs - Dawntta

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Clé: E

Capo: 0

Type: Tabs

Detailed Analysis of Guitar Tabs

1. Unique Features of the Tabs

This guitar tabs stands out due to its intricate use of techniques and rhythmic variety, particularly evident in bars 4 to 8 and 12 to 16.

In Bar 4, the performance indication (B3SC4) introduces a sliding note from the 3rd fret to the 5th on the A string (5th string), adding an expressive quality. This technique is repeated in Bar 6, allowing the player to explore tonal nuances and emphasizing the transition between chord sections.

The use of hammer-ons noted as (B3HC4) starting from Bar 10 provides a seamless flow, whereby the player transitions smoothly between notes without re-picking the string, which adds to the piece’s fluidity.

Moreover, the inclusion of harmonics (B3G3Harm) in Bar 15 creates a striking contrast from the regular notes, inviting the listener to a more ethereal sound.

2. Challenges and Technical Analysis

The tabs contains several challenging aspects, particularly in the following bars:

  • Bars 6 and 10: The use of slides and hammer-ons requires precise finger placement and timing. For instance, accurately executing the hammer-on from the 3rd fret of the G string (3rd string) to the 5th fret necessitates control as the transition needs to be clean to avoid any unintentional buzzing.

  • Bar 15: The harmonic technique demands both a light touch and a precise placement of the finger to create a clear sound on the 12th fret of the G string while muting surrounding strings.

Suggested Solutions:

To tackle the sliding and hammer-on difficulties:

  • Practice slowly, focusing on clarity of each note.
  • Gradually increase tempo only after consistent accuracy is achieved.

For harmonic clarity:

  • Ensure the fingertip placement is directly over the fret without pressing down. Practice this in isolation if needed.

3. Practice Recommendations

To address the difficulties highlighted, effective practice strategies include:

For Bars 4 and 6:

  1. Isolate the Sliding Technique:

    • Practice sliding from the 3rd to the 5th fret on the A string. Start slow (quarter speed) and gradually increase your pace while maintaining even dynamics.
  2. Combine with Hammer-ons:

    • In Bar 10, incorporate hammer-ons in combinations with slides. Focus on maintaining the rhythm and ensuring that slides lead seamlessly into hammer-ons without breaks in sound.

For Bar 15:

  1. Focus on Harmonics:
    • Isolate the harmonic. Pluck the G string while lightly touching the 12th fret with one finger. Ensure that other fingers are positioned away from adjacent strings to avoid unwanted sounds.
    • Listen to the clarity of the harmonic and aim for a consistent sound.

General Suggestions:

  • Incorporate metronome work to solidify timing, especially around complex bars, keeping track of both tempo and rhythm.
  • Record practice sessions to self-assess and adjust finger placements and techniques.

By systematically approaching these sections, players can notably improve their execution, making the performance not only more fluid but also more expressive, enhancing overall musicality.