Still Got The Blues by Gary Moore Chords & Tabs - Mondten

Guitar Tabs Analysis

1. Unique Features of the Tabs

This guitar tabs exemplifies a blend of technical precision and musical expression which is evident in several key sections.

• Bar 5-7: Notable for its incorporation of a slide technique (B3SC4) leading into an arpeggio breakdown. The choice to slide from the 7th fret of the A string (5th string) up to the 9th fret not only adds a smooth melodic transition but also showcases the player's ability to control pitch and create expressive dynamics.
• Bar 10: The use of palm muting (PM) incorporated with a strong downstroke (D) accentuates the rhythmic drive of this section, offering a percussive element that reinforces the core melody. Performing this effectively would require precise positioning of the right palm to achieve the desired muting effect while maintaining clarity in the selected notes.
• Bar 15-16: The inclusion of harmonics (B3G3Harm) adds a layer of ethereal sound texture. This provides a poetic contrast to the more rhythmic sections and highlights the guitarist's dexterity. The careful placement of fingers along the 12th fret creates distinct pitches that are bright and resonant.

2. Technical Challenges Analysis

Several segments of this piece present considerable challenges to the performer, particularly:

• Bar 3-4: These bars require a combination of quick finger transitions and alternate picking. The rapid movement from the 5th fret on the high E string (1st string) to the 7th fret on the B string (2nd string) can be demanding.
• Bar 11-12: The transition from the swung rhythm of the previous section into the 3-note triplet <C-C-C> necessitates a high level of finger coordination and timing. Establishing a comfortable finger placement and practicing the triplet pattern slowly before increasing speed will be critical to mastering this segment.

Specific Difficulties and Solutions:

• Keeping the Tempo: Maintaining a consistent tempo while transitioning between different techniques, such as alternate picking and slides, can be problematic. Practicing with a metronome is advised, starting at a slower speed and gradually increasing as confidence builds.
• Articulation: The muting techniques require precise control over the right-hand technique, particularly in sections where a strong rhythm is emphasized through both strumming and muted notes. Focused practice on muting techniques with a metronome will greatly enhance rhythmic accuracy.

3. Practice Recommendations

To effectively tackle the challenges presented, the following targeted approach is recommended:

• Bar 2-4 Practice: Break down the movement into smaller parts. First, isolate the B3SC4 and B3HC4 techniques in a slow tempo. Repeat each section several times before connecting them into full bars.

• Bar 10 Execution: Dedicate time to practice the palm muting in isolation. Experiment with different angles of the right palm to find the sweet spot for muting while playing the downstroke.

• Triplet Timing in Bar 11-12: Practice the triplet <C-C-C> employing a slow metronome. Memorizing the finger positions will ease the transition into faster passages, leading to greater fluidity across the bar.

Conclusion

This tabs is not only a aesthetically pleasing representation of guitar artistry but also serves as a technical exercise loaded with opportunities for developing finger dexterity, picking precision, and rhythmic dynamics. By utilizing the prescribed practice methods, players can effectively enhance their skills while navigating this musical piece. The challenges presented in certain bars encourage a growth mindset toward mastering advanced guitar techniques. Such targeted practice will lead to a more expressive and confident playing style.